225. Carnival Beauties: ELIA SANCHEZ, 1926 Miss Masbate

MAS BELLA! MASBATE! Elia Sanchez, the first and only known Miss Masbate to represent her island province of Masbate, at the 1926 Manila Carnival search for Miss Philippines.

The island of Masbate was just 4 years old when the local government joined the Manila Carnival as a form of support to the national festivities as well as to breastbeat the progress it has attained as an autonomous Philippine province.

Previously, Masbate was a part of Albay; it was declared a separate province  in 1864 with Guiom as its capital. Pres. Emilio Aguinaldo however, moved the capital to Masbate town, just before the declaration of the Philippine independence in 1898. With the arrival of the Americans, Masbate was again annexed to Sorsogon in 1908. It was finally declared an independent province with the approval of a bill on 1 February 1922.

In the revamped Manila Carnival 1926, Masbate was proudly represented by the dark-eyed mestiza beauty, Elia Sanchez, who blazed the trail by becoming the first and only known Masbateña to vie for the the Miss Philippines title.

Sanchez was educated at the Colegio de San Juan de Letran and married Genaro D. Briz, (lawyer-governor of Bicol-Masbate, 1932-1934, later Justice of the Peace of Masbate, Masbate, 1946)  in her later life. Papa Naroy and Mama Eyang had four children: Jose  (a doctor who moved to the U.S.), Rafael (who remained in Masbate), Soledad, and Natividad Briz-de Matera. The couple raised their children in Masbate where they had a large and thriving coconut plantation. Mama Eyang was just in her 30s when she died unexpectedly of pneumonia in her 30s which she caught due to exposure. 

224. Carnival Beauties: VIRGINIA LEJARDE, 1930 Candidate of "Alitaptap"

ALLURE OF ALITAPTAP. Virginia Lejarde, the official candidate of Alitaptap Magazine to the 4th National Beauty Contest search for Miss Philippines 1930. 

With the great success of the 1929 Manila Carnival queen search that saw the participation of the country's leading schools and institutions, the 1930 Manila Carnival was touted by publicists to be even more spectacular. Sure enough, in the search for th queenship of the Carnivsl, magazines and newspapers came back in full force to field their own candidates--this, in addition to the school bets.

Publications like The Manila Times, Liwayway,  The Philippine Herald and Tribune sponsored their own beauty bets together with schools that included Philippine Collegian, U.P. and the Centro Escolar de Senoritas. Even smaller dailies like Atalaya and Alitaptap were ably represented by lovely Filipina belles.

Alitaptap was a popular Tagalog magazine that was first published in 1928, and which had a successful run till the '30s, ceasing publication with its 29 December 1932 issue. Of its Carnival candidate, Virginia Lejarde, not much is known. The 1930 Miss Philippines crown went to an Ilongga teenager, Consuelo Acuna.

223. Carnival Beauties: PILAR LIWANAG, 1930 Candidate of "Liwayway"

LIWANAG NG LIWAYWAY. Liwayway's bet to the first Miss Philippines quest of 1926, was an all-Filipina beauty with an all Filipina name so appropriate to the Tagalog magazine: Pilar Liwanag.

The oldest Tagalog weekly magazine in the country, Liwayway (Dawn) was begun way back in 1922 by Don Ramon Roces. The popular magazine featured short stories, serialized Tagalog novels, human interest and entertainment news, plus comics.

Famous Filipino literary figures wrote for the magazine, a roster that includes Jose Corazon de Jesus, Julian Cruz Balmaceda, Cecilio Apostol Borromeo, Lope K. Santos, Romualdo Ramos, Francisco Lacsamana and Pedrito Reyes, the son of Don Severino Reyes, who was the first editor of Liwayway

As a leading magazine, Liwayway joined the biggest of the Carnival festivities--including fielding its own delegate to the search for the Manila Carnival Queen. In 1930, their lovely bet had a name as Filipino as the magazine's name--Pilar Liwanag, who may perhaps be the first Miss Liwayway. Nothing came out of her participation though, as the competition was very tough that year, resulting in the crowning of two queens--Anita Noble of Batangas (Miss Philippines) and Carmen Fargas of Zamboanga (Miss Pearl of the Orient).

After the Carnival years, the still-popular magazine which by now had expanded to include sister publications Bannawag, Hiligaynon and Bisaya--mounted its search for its own Bb. Liwayway beginning in 1938, determined by ballot voting. The Bb. Liwayway contest had a national appeal, remaining popular from the late 30s to the 50s.

222. Carnival Beauties, MANUKI MAKARIMBANG, 1927 Miss Lanao

THAT LADY FROM LANAO. Manuki Makarimbang, Miss Lanao 1927, made a splash at the national beauty contest with her colorful wardrobe of malongs and headgears that were a hit with the crowd. 

The first beauties to represent the Mindanao minority groups at the  very first Miss Philippines pageant of the 1926 Manila Carnival came from the provinces of Lanao and Sulu--Bala Amai Miring (Miss Lanao) and Scott Rasul (Miss Sulu). With Miss Zamboanga and Miss Davao, there were only 4 contestants from the predominantly Muslim region. It was clear that their chances of winning a regional title was rather high; back then, to win the regional titles of Miss Luzon, Miss Visayas and Miss Mindanao, one had to be a provincial delegate from that particular island group.

Emerging as the first ethnic queen of the Mindanao region was the moon-faced beauty, Bala Amai Miring of Lanao. Quick to smile and regalling the crowds with her exotic malong costumes, Bala Amai Miring edged provincemate Rasul for the title of the first Miss Mindanao 1926. In winning the title, Miring joined the court of Miss Philippines-elect Anita Noble in her year-long Carnival activities.

Next year, it was Miss Sulu's turn to hog the limelight, with the Manila-educated Nora Maulana copping the Miss Mindanao 1927 title. Miss Lanao 1927, Manuki Makarimbang,  had to take a back seat, but nevertheless, she stamped her presence with her regal bearing, her demure deportment and her fabulous Muslim wardrobe. Not much is known about Miss Makarimbang, although their clan is well-known all over Lanao del Norte and Lanao del Sur.

221. Carnival Beauties, CARMEN QUINTO, 1927 Miss Cagayan

CARMEN OF CAGAYAN. The first Miss Cagayan ever to compete in the Miss Philippines search of the Manila Carnival, Carmen Quintos, who reigned in 1927.

Cagayan held its own provincial fair in 1926, but it was not until a year later that it sent its first beauty delegate to the 2nd National Beauty Contest of the 1927 Manila Carnival.

That honor went to education student Carmen Quinto from Aparri, Cagayan. She, however, failed to land in the winners' circle, with Miss Manila, Luisa Marasigan topping the beauty tilt.

220. Carnival Beauties, CARMEN CAMPOS, 1927 Miss La Union

UNION MAID. Miss Carmen Campos, Miss La Union of 1927.

The second Miss La Union to join the Miss Philippines tilt of 1927, was the comely Corazon Campos, who succeeded Manuela Ortega. The Camposes, from Bauang, are also related to the political Ortega clan.

The crown was won by Miss Manila, Luisa Marasigan, who was actually from Tayabas, but based in Manila as a colegiala.

219. Carnival Entertainment: COMPARSAS DE CARNAVAL

ZAMBOANGA CARNIVAL, 1923. A group of performers from the Center of Agriculture.

The throngs of people who flocked to the Carnival were treated every night with all sorts of spectacular entertainment—danzas (dances), themed balls, music, circus acts and acrobatics. There were just too many nights to fill over a period of two weeks—the 1908 Carnival alone featured three balls that were livened up with regional dances performed right at their national pavilions with their respective flags.

The best performing groups (comparsas) were recruited by the provincial organizers to provide musical entertainment and dance interludes. Scouring the schools for the best dance and drama groups, the chosen performers were carted off to Manila to show off their terpsichorean talents to the delight of the Carnival crowd. They often aligned their performances with the visual theme of the Carnival—Hindu-Arabic, Grecian, Russian, Fantasy, Filipiniana.

COMPARSAS LAS BATURBOS, Ilocos Sur Carnival 1923

Folk dances were staged on the ballroom in the center of the Hippodrome—measuring 300 ft. x 100 ft. The capacious dance floor was outfitted with first class wood made “to shine like crystal”. The enclosed area was defined by a wall with mural paintings done by the artist Robert McGreer and illuminated with electric bulbs.

COMPARSAS BALINTAWAK, Ilocos Sur Carnival, 1923

The production numbers grew more elaborate as the years passed; in 1929, during the reign of Pacita delos Reyes, aside from the Comparsas Night, there was a separate tribute prepared by her proud university called University of the Philippines Night, in which students rose to the occasion to stage “Pageant of Agriculture”, memorable for its scenario written by Carlos P. Romulo and its music supplied by the U.P. Conservatory of Music.

The entire university gave its all-out support and student earned P.E. credits for their participation in the evening spectacle. In no time at all, provincial carnivals were including performances by local comparsas, and a few of their productions are captured in these vintage souvenir photo postcards from the said events.

GYPSIE DANCERS, Camiling Petit Carnival, Tarlac, 1930.