The concept of a World’s Fair or Exposition began in France as early as 1844 with the holding of an industrial exhibit in Paris. But the 1st real “Expo” was held 7 years later in the Crystal Palace in London, under the title “Great Exhibition of the Works of Industry of All Nations”. An idea of Prince Albert, the “Great Exhibition” was the first truly international showcase of progress, that was soon to have a greater impact on aspects of society including global trade, foreign relations, tourism and art and design.
Spanish Philippines was quick to adapt such events that aimed to increase commercial and economic relation between the archipelago and the metropolis while showing indigenous achievements to the Spaniards. 1887 saw the first Philippine participation in the Exposicion de Madrid in Spain, where the quality of exhibits—mostly fine arts-- was met with mixed reviews. Even then, this fair pre-dated American expositions by a good number of years. It was only in 1893 that America held its own World's Columbian Exposition (also called The Chicago World's Fair) to celebrate the 400th anniversary of Columbus’ discovery of the New World. Forty six foreign countries participated, and over 26 million came to visit. Its scale and grandeur far exceeded the other world fairs, becoming a symbol of then-emerging AmericanExceptionalism.
A little over a decade later, the St. Louis’ World’s Fair held in Missouri to mark the Louisina Purchase, dazzled the world with its grand attractions, led by its new colony in the Far East—the Philippines. The Philippine Exposition drew large crowds every day with its exotic shows of tribal groups in recreated native settings. Here, Igorots, Aetas,Bagobos,Tagalogs and Bisayans wowed thousands with their daily performance of music, sports and regional rituals, so strange to foreign eyes.
Though heavily criticized for the manner in which Filipinos and other ethnic groups were presented, the exposition was a resounding success, what with the fair also playing host to the 1904 Olympics, 62 countries and 20 millionvisitors.
Our love affair with fairs, carnivals and expositions have just begun...
Perhaps, no other event has piqued the interest and stirred a nation’s imagination more than the fabled Manila Carnivals. Held from 1908-1939, the 2-week fair was organized as a goodwill event to celebrate harmonious U.S.-Philippine relations and to showcase our commercial, industrial and agricultural progress. Spectacular parades, lavish shows, firework displays and the crowning of the Manila Carnival Queen highlighted the "greatest annual event in the Orient". This blog recalls the glorious Carnival era via pictorial mementos and discussions of its historied past. See you at the fair!
BOOKS: Kalaw, Maria. Legacy, Pura Villanueva Kalaw: HerTimes, Life and Works. Filipinas Foundation Inc. 1983/McCoy, Alfred, Roces Alfredo (eds.), Philippine Cartoons,: Political Caricature of the American Era, 1900-1941. Vera-Reyes Inc., Quezon City: 1985/Nuyda, Doris G. The Beauty Book: A History of Philippine Beauty from 1908 to 1980, Mr. & Ms. Publishing Co., Manila: 1980/Roces, Alfredo, editor-in-chief, Filipino Heritage, The Making of a Nation, vol. IX. Felta Press. NEWSPAPERS & MAGAZINES: Flor, Lina., “Beauties of Yesteryear”, Woman’s Home Companion, various 1974 -1975 issues/O’Reilly, G.A. “Is the Carnival Worth While?”, Philippine Magazine, October 1908 issue/Villegas, Ramon N, “Mementos of ‘Pistaym’, Metro Magazine, September 2000, pp. 36,38,40/ Graphic, 1935-1936 issues/ Renacimiento Filipino, Revista Ilustrada,February/March 1911- 1913 issues. SOUVENIR PROGRAMS: Manila Carnival Programs (1908, 1910, 1921, 1922, 1934, 1935) PERSONAL CORRESPONDENCES: with descendants of Guia Balmori, Engracia Laconico, Mercedes Montilla,Charity Crow, Rosalina Lim, Emma Zamora, Julia Agcaoili, Carmen del Rosario, Cleofe Balingit, Helen Bennett.
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